Sculpture in public places draws controversy. I could list a few pieces that have aroused fierce opinion, but Orbit, Anish Kapoor’s cross between construction debris and a fairground helter-skelter, is currently the most prominent.
Of course, you may be struck by what you see as its (very) peculiar beauty, but I’d argue that it’s a good example of a problem encountered in much garden sculpture: trying to fit the right piece to the right place.
Over at Thinkingardens, Anne Wareham has just posted pictures of Art in the Garden, Painswick Rococo Gardens’ annual exhibition, now in its third year (and running until 31st August).
It’s difficult to tell how successfully the pieces sit in their surroundings. The website tells us that many of them are either site specific or created in direct response to their environment (the balancing boxes in the orchard don’t strike me as entirely successful), but on a general point Abbie Jury, who runs Tikorangi The Jury Garden, New Zealand, comments, “A garden setting can enhance sculpture but I have never seen sculpture enhance a garden.” Sculpture, she feels, must always draw attention away from the garden.
Hmm.
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